SOS PODCASTS

Howard Gray gives us a fascinating look behind the scenes of recording and engineering some of the biggest tracks of the '80s.

Matt Johnson has emerged as one of the most talented and prolific keyboard players of the last 20 years, mostly as part of the legendary Jamiroquai.

LEWITT Audio chat to Hugh Robjohns about their approach to developing, innovating and engineering their range of home, studio and live microphones.

Paul White and Hugh Robjohns engage in a lighthearted discussion about what peeves and annoys them about today's music software and recording hardware.

CEDAR Audio has led the world in audio restoration and noise suppression for over three decades. We find out more about their ground-breaking technologies.

Sarah Angliss talks to Caro C about her route into Electronic Music and how she utilises sub-frequencies, robotics, and her own effects in her compositions and live performances.

Hugues Vinet, of the IRCAM electronic music institute in Paris, talks to Paul Tingen about their work in software, sound design and AI composition.

Zoë Blade and Nina Richards talk about their individual music careers and how they came together to create the Stepper Acid Eurorack Sequencer.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.

J. Wilgoose Esquire, founding member of Public Service Broadcasting, talks about the origins of the band and the surprise success they've enjoyed, and discusses his recording methods, choice of equipment and the technical challenges of performing live.

It's 10 years since Focusrite launched their best-selling Scarlett range of audio interfaces, now into its third generation. CEO Tim Carroll and Will Hoult, Head Of Product at Focusrite and Novation talk to Sam Inglis about what's behind the success of the Scarletts.

Paul White and Hugh Robjohns look back and chat about some of their favourite gear releases of 2021.

Vocoders are not just for vocals. In this episode, Eddie Bazil talks about the various vocoder plug-in options and demonstrates six creative techniques.

Daniel Blackmer, Director of Engineering at Earthworks Audio, explains the company's distinctive approach to microphone design.

Synth Gems 1 sets out to document, both visually and in words, some of the most incredible keyboard synthesizers ever made. Hear how it came to be...

Rob Puricelli talks to Ian Boddy, who has been a fixture on the electronic music scene for over 40 years, as an artist, a sound designer and a label owner.

Paul White and Hugh Robjohns discuss the evolution of recording from the perspective of their own experiences, starting with analogue tape and ending with computer-based digital systems.

René Mørch of DPA Microphones chats to Sam Inglis about DPA's involvement in the NASA Mars 2020 mission.

Paul White looks back over the history of the echo effect, from tape loops through to plug-ins, and explores how modern echo effects can be used as sound design tools.

Sam Battle, also known as Look Mum No Computer, chats to Caro C about his love of electronics, '80s music and re-using discarded technology.

David Bessell talks to Rob Puricelli about how he was inspired by Physical Modelling and sought to explore it further using modular synths and software.