Cubase: Managing The Low Mids With Frequency 2
Wrestling with low‑mid mud? Cubase’s dynamic EQ can help.
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Wrestling with low‑mid mud? Cubase’s dynamic EQ can help.
Digital Performer has everything you need to work with audio for picture.
Howard Jones burst onto the scene in the early 1980s with a collection of era‑defining synth‑pop hits such as ‘What Is Love’, ‘No One Is To Blame’ and ‘Things Can Only Get Better’. Asked to select a favourite sound, he circles back to the first of these.
Perpetual licence or subscription plan? Find out which is best for your needs.
Studio One now includes some powerful notation and tablature options. Let's explore...
U2’s residency at the Sphere in Las Vegas is revolutionising live music.
These three audio examples accompany our Cubase workshop in SOS January 2024.
‘Set Fire To The Rain’ was Adele’s third consecutive US number one, confirming her status as a superstar. In our exclusive...
Our exclusive four-part video documentary series goes behind the scenes of one of the most detailed orchestral sample libraries ever made. In Chapter One, we meet the team from Spitfire Audio and Abbey Road Studios as they develop the epic concept for Abbey Road Orchestra…
Canadian Davey Badiuk is a composer, producer, mixing engineer and remixer, known for his unique ability to modernise organic music.
Ricky Damian is that rarest of things: a young engineer trained in all‑analogue recording. His experience stood him in good stead with Jorja Smith.
Using only the tools built into your DAW, you can turn your arpeggiations into complex, engaging sequences.
These audio files accompany the Power Up Your MIDI Arpeggiators article in SOS December 2023 edition.
We explain why aliasing in plug‑ins isn’t always a problem — and why oversampling isn’t always the solution.
Mixing gets so much easier when your processing chains are configured to deliver the same results in response to the same levels!
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Record producer/mix engineer Luke Smith details how he got his favourite sound on ‘Spanish Sahara’ from Foals...
David Wrench’s goal as mix engineer was to make Blur sound like themselves!
With the new Sketch window and app, Pro Tools enters the world of clip launching.
Turn the ratio up, and a compressor becomes a limiter. Go even further and you enter the world of reverse dynamics — and unique sonic effects.