Mixing / Production

In theory, 64-bit operating systems allow us to use as much RAM as our software demands. So should we all be using them?

In Cubase SX, can signals be 'routed' to a compressor's side-chain to modulate another signal?

Although delay can be one of the most simple studio effects, software delay plug-ins often provide a bewildering array of options. So we take a look at what all the sliders and switches do, and provide advice on how best to use them.

Reverb is vital for most types of modern music production, so it's no surprise to find that many sequencers provide a variety of reverb plug-ins. But what do all those different parameters do?

All of the main MIDI + Audio sequencers now have a bewildering array of compression and limiting plug-ins built in, but many home musicians are unclear about what all those controls and options do. And with so many varieties of each plug-in available, which one should you choose for the job in hand?

All modern sequencers make it easy to enhance your arrangements with subtle tempo variations, but these facilities are often ignored.

Queen's seminal 1975 album and the worldwide hit from it, 'Bohemian Rhapsody', might almost have been tailor-made for surround sound. Now guitarist Brian May and engineer/surround specialist Elliot Scheiner have remixed this masterpiece for what promises to be a genre-defining DVD-Audio release.

In this final part of our series, we look at how the major project studio-oriented MIDI + Audio sequencers (DAWs) currently handle surround.

The flexibility of the effects assignment in modern MIDI + Audio sequencers (DAWs) can be daunting, so here's some advice on how to sort out the routing and order of your plug-ins for common recording and mixing tasks.