Mixing / Production

Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!

Beyoncé’s chart‑topping album Renaissance showcases a production process that’s all about staying in the moment.

Resident in Mexico City, engineer Juan Sebastián Rodriguez thanks British producer Phil Vinall for his baptism into the recording industry.

For Jason ‘Cheese’ Goldberg, working with YoungBoy means working anywhere and working fast — without compromising quality.

Mark Mynett, talks us through prepping for and recording a bass session, including ways to generate multiple layered tracks for use in your final mix.

The ear‑catching tempo changes of LF System’s hit ‘Afraid To Feel’ provided a unique challenge for mix engineer Scott Rosser.

If you’re struggling to get everything in your mixes coming across loud and clear, read on.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.