Mixing / Production

We visited Alan in his state-of-the-art Dolby Atmos mix room at Hans Zimmer's Remote Control Productions studio complex in Santa Monica, California, to hear his extraordinary life story and find out what's involved in mixing a blockbuster movie score.

David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.

Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.

Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.

David Gould, Director of Audio Content Solutions at Dolby Labs, talks to Hugh Robjohns about immersive audio and how Dolby Atmos works.