Mixing / Production

Exporting a project from one DAW to another can be frustrating — but there are ways and means...

We spend a lot of time rescuing sub-standard recordings and arrangements in Mix Rescue, but this month it really was all about mixing and mastering.

These audio files accompany the Mix Rescue article that featured in SOS December 2010.

Apple's iMovie may be designed for making slideshows of snapshots and holiday videos, but what's to stop you thinking outside the box?

With country guitars, what you hear on the record is what was played in the studio. We asked Nashville's leading engineers how they capture those tones.

I'm a drum & bass DJ and I work exclusively with vinyl, which is all mastered for a club sound system.

With over 50 Studio SOS visits under our belt, we thought it was time to discuss some of the most common studio problems we've tackled.

Mike Vernon produced some of the greatest blues records of all time. A full decade after retiring, he's back in the studio with some of the British blues scene's brightest lights.

Thirty years after Led Zeppelin ended, Robert Plant has reached a second career high. His latest hit album was tracked and mixed by Mike Poole, using a mouth-watering selection of vintage equipment.

Revolutions in music technology have always gone hand in hand with changes in the way records sound. To mark SOUND ON SOUND's 25th anniversary, we list the most influential productions to emerge during the magazines lifetime.

Some of the friends we've made over the years share their congratulations on our 25th birthday!

In theory, 64-bit operating systems allow us to use as much RAM as our software demands. So should we all be using them?

The man behind the biggest UK single of the year — 'Pass Out' by Tinie Tempah — is 21-year-old musical prodigy and maverick Labrinth.

With a bit of hard work to counter unwanted masking effects and muddiness, everything becomes clear...

Audio files to accompany the article.

One of electronicas most adventurous spirits, Markus Popp has returned with an album that sounds surprisingly... musical. But is everything as it seems?

Just how does 'stereo' work? And how can you manipulate a stereo audio signal to your mix's advantage?

There are more home studio widows out there than we usually like to admit, so when one sent out an SOS of her own, we just had to help, if only to assuage our sense of guilt!

Whether youve shot a live music video with a mobile phone or a slick promo with a DSLR camera, hosting it on the Internet is a great way to show it to the world.

Despite self-imposed limitations, the multitrack sessions for Arcade Fire's latest album grew to epic proportions. Craig Silvey nevertheless mixed it on a vintage desk with no automation.

Handheld shots can look great, but too much camera shake can give the viewer a headache! We take a look at three budget rigs for keeping shots steady, and find out whether electronic image stabilisation can help.