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Mixing / Production

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    Paul White - Executive Editor

    Creative Use Of Auto-Tune | Podcast

    7 Tips For Creating Soundscapes

    Paul White explains the basics of Auto-Tune and demonstrates 7 tips to help you create a variety of alternative textured soundscapes.

    Techniques Jul 2021
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    Inside Track: Lil Uzi Vert 'How To Talk'

    Secrets Of The Mix Engineers: Kesha Lee

    Not only is Atlanta’s rap scene producing stars like Lil Uzi Vert, but it’s also providing opportunities for a new wave of engineering talent.

    Techniques Dec 2017
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    SOHN: Sonic Signatures

    Video Feature

    Soulful electronic artist/producer SOHN shows us how he layers up, edits and processes his own vocals, and uses Auto-Tune in an unconventional way to create ear-catching textural and percussive elements.

    People Jul 2017
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    Inside Track: Future 'Draco'

    Secrets Of The Mix Engineers: Seth Firkins

    The unique sound world created by Future and engineer Seth Firkins has brought the Atlanta rapper record-breaking success.

    Techniques May 2017
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    Creative Pitch Processing

    Pitching New Ideas

    Pitch-correction software has lots of uses besides putting vocals in tune! We uncover the creative roles to which today’s pitch processors can be employed.

    Techniques Dec 2015
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    Q. How do I keep vocals sounding natural when using Auto-Tune?

    I've recently started using the Antares Auto-Tune plug-in (version 3), and I need help! Even when using the plug-in's Automatic mode, I can't get a good sound out of it — the corrected voice sounds 'warbly' and fake. Can you offer any advice?

    Sound Advice Feb 2004
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    Vocal Fixes

    Modern Vocal Processing In Practice

    A new generation of vocal processors, and a new generation of engineers, confront the possibilities and ethics of digital vocal manipulation.

    Techniques Oct 2003
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    Cher on a couch.

    Recording Cher's 'Believe'

    Mark Taylor & Brian Rawling

    It was the best-selling single of last year, and signalled a radical change of musical direction for Cher — complete with bizarre vocal processing. Yet, surprisingly, it was produced in a small studio in West London. Sue Sillitoe relates the astonishing tale of 'Believe'.

    Techniques Feb 1999
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