Mixing / Production

Now you can create Atmos mixes using any DAW! But that’s not all this app has to offer...

We visited Alan in his state-of-the-art Dolby Atmos mix room at Hans Zimmer's Remote Control Productions studio complex in Santa Monica, California, to hear his extraordinary life story and find out what's involved in mixing a blockbuster movie score.

David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...

Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.

The buzz around immersive visual media is creating plenty of new opportunities for those who record spoken word for a living. But how do these new jobs differ from traditional ones?

A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

Grammy Award-winning engineer Bob Clearmountain details his unique approach to mixing music in Dolby Atmos using an analogue desk.

For Norwegian engineer, producer and record label boss Morten Lindberg, immersive audio begins at source.

Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.

We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.

Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.

Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.