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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 1 - 21 of 37 items
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    Professor Rob Toulson

    Drum Science - Part 3 | Podcast

    Mic positions for recording

    In the final part of this series, Rob Toulson focuses on mic techniques for recording drums and talks us through the issue of frequency cancellation in a multiple mic setup, details how to choose the recording sweet spot in a room and explains the various stereo mic options that are available including the famous Glyn Johns technique.

    Sound Advice Dec 2023
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    David Mellor

    Gain Staging - Episode 2 | Podcast

    The Recording Stage

    In the second episode David Mellor focuses on gain staging during recording, by balancing mic input, preamps and gain within your DAW to achieve the optimal sound level.

    Techniques Jul 2023
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    Q. How do I record taiko drums without distortion?

    Recently I had to record a Japanese taiko drum ensemble, but I got a fair bit of distortion even though my recording levels never reached 0dBFS. Why was I getting this distortion/compression?

    Sound Advice Jun 2023
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    An Introduction To Binaural Recording

    Use Your Head

    Binaural recordings are an easy and effective way to capture immersive audio.

    Techniques Apr 2021
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    Introduction To Mid-Sides Recording

    Stereo Recording Techniques

    M‑S miking is easy to set up, offers plenty of options at mixdown, and has some unique advantages over other stereo arrays. So if you've not yet tried it, why not give it a go?

    Techniques Mar 2020
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    Session Notes: Piano + Drums Together

    The Practical Craft Of Recording

    How do you record a piano and drum kit in a modest live room, at the same time? Our engineer explains his approach...

    Techniques Mar 2020
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    Session Notes: Piano + Drums | Audio Examples

    Hear For Yourself

    Take a listen to these audio examples created when recording a piano and drum kit in a modest live room, at the same time.

    Techniques Mar 2020
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    Q. What mic technique is best for recording stereo ambience?

    What are your thoughts on recording stereo ambience on location (such as in a forest, supermarket, office, or restaurant) for use in movies, podcasts and so on?

    Sound Advice Feb 2020
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    Get The Most Out Of Your Upright Piano

    Upright: Done Right!

    With a little TLC and the right miking technique, even the most neglected piano can produce great recordings.

    Techniques Dec 2019
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    Q. Can too hot a signal damage a mic?

    I’m soon going to be doing my first recording of live drums and it occurred to me that I don’t know the answer to this question...

    Sound Advice Sep 2017
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    The Double Mid-Sides Array

    On The Double

    M-S miking is already a versatile technique, but it can be built upon to provide surround-sound recording and a whole lot more besides!

    Techniques Jun 2017
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    Session Notes: Microphone Positions

    The Practical Craft of Recording

    Zwiepack: Our engineer captured one jazz session using two completely different recording techniques. Which one won the day?

    Techniques May 2016
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    Q. Which omni mics are best for small ensemble recordings?

    I’m looking for extremely detailed and natural omnidirectional microphones for two-channel small ensemble recordings on location.

    Sound Advice Feb 2016
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    Q. How consistent are different examples of the same mic?

    I get the impression that manufacturing tolerances for mid-range and cheaper microphones are not always as tight as one would desire. If I found a mic I liked, and were then to go out and buy that model of mic, might the one I tested and the one I bought sound significantly different?

    Sound Advice Aug 2015
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    Q. Which modular mic parts are matched?

    I often wonder exactly what gets matched when microphones with interchangeable capsules are bought as a stereo pair. Is it the bodies, the capsules, or both?

    Sound Advice Aug 2015
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    Q. How should I mount a pair of AKG C414s?

    I've been trying to use a pair of AKG C414s in a coincident X-Y mode, but am finding it physically difficult to mount the...

    Sound Advice Oct 2010
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    Q. How should I mic an accordion?

    I'm recording a folk band soon, and the lead singer plays an accordion. I want to record most of the band live, but was...

    Sound Advice Jul 2010
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    Q. How should I mike-up a violin?

    I am attempting to record a violin for the first time. I want a nice deep sound, but am unsure about using stereo mic...

    Sound Advice Jun 2010
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    Q. How do I know a mic is worth the money?

    What differences can you hear when comparing inexpensive and expensive equipment? As I do a lot of vocal recording, I'd like...

    Sound Advice Mar 2010
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    Q. Can you advise on recording acoustic guitar in stereo?

    Just wondering if you could give me some advice on recording acoustic guitars. I'm finding it very difficult to get a clean...

    Sound Advice Sep 2009
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    Q. How much difference does mic position make to vocals?

    I have heard from a 'proper' singer that changing the mic position when recording vocals can make a big impact on the way they sound. 

    Sound Advice Apr 2009

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