Compact stereo recorders are a great way of capturing audio away from the mouse and keyboard. Here’s our selection of current models, with links to the SOS review where available.
JoeMeek gear has always been about adding a nice vintage vibe to your recordings without having to pay through the nose. Does the new Q2 deliver the goods?
Does anyone need eight channels of distortion when summing analogue signals together? Looptrotter might be able to persuade you that the idea’s not entirely crazy!
The Urei 1176 is one of those classic compressor-limiters that many boutique manufacturers are now trying to put their own spin on. What do Wes Audio bring to the party?
To say that producer Chris Hughes was closely involved with Recording Adam & The Ants’ biggest records would be a bit of an understatement — he got so involved he joined the band...
Last month, we recounted our experiences of tracking a jazz big band on location. Now we explain what it takes to turn the raw multitracks into a nicely polished production.
We travel to Kent to identify some problems with a reader’s mixes, improve his electric guitar recordings, and help him create a more trippy vocal sound.
Electronic musician Dan Deacon takes audience involvement much further than most artists, often setting up his gear in the middle of the crowd. He speaks to us about his equipment and the philosophy behind his wild live shows.
Scott Walker’s career has taken him from pop stardom to high art. In a rare interview, he and producer Peter Walsh lay bare their unique approach to recording.
Unique, unnavigable and steeped in history, the BBC’s extraordinary Maida Vale studio complex exemplifies everything we love about our national broadcaster!
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