The iO Dock from Alesis is designed specifically with the iPad in mind and offers a pair of 'combi'-style audio inputs, MIDI DIN and MIDI USB plus a handy footswitch socket.
Ardán Audio have filed no fewer than 28 patent claims on the design of their unique and highly engineered EVP M1 monitor stands. We find out whether the appliance of science has paid off...
This valve mic from Australian company Bees Neez aims to offer a character reminiscent of some of the vintage classics. Can a mic from down under come out on top?
By merging their flagship application with its sibling, Record, Propellerhead have created something users have demanded for years: Reason with built-in audio recording.
The beautifully produced story of Recording Architecture demonstrates that the same book can be both a work of art and an invaluable resource for the studio builder.
‘Threebird’ might have been a more appropriate appellation for this distinctive-looking EQ but, as we found out in our test flight, there’s far more to it than the novel format...
The metering in most DAWs does little more than tell you if you’re in danger of clipping. Zplane’s plug-in suite provides vital alternative ways of understanding audio levels.
The haunting dub of ‘Ghost Town’ perfectly captured the mood of its time, and spent three weeks at the top of the British charts during the turbulent summer of 1981.
Recording gigs can be challenging, particularly given the constraints imposed by typical small and medium venues. But capturing a great performance, complete with all the atmosphere of the night, can be a hugely rewarding experience.
John Forbes talks to SOS about how he became musical director for Ne-Yo, creating live arrangements for one of the world’s top R&B artists using recorded parts.
Twenty-five years ago, studio legend John Wood retired from the music industry. In a rare interview, he explains why he’s making a comeback, and lays bare the techniques behind some of his greatest recordings.
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