April 2008 Magazine Contents

Can a two-channel preamp at this price really give you the best aspects of tube and solid-state circuitry?

Convolution technology can place your sound in almost any acoustic space, with stunning realism.

With the demand for (and prices of) old combo and tonewheel organs rising all the time, a keyboard that emulates both at a reasonable cost seems like an excellent idea - but can the Nord C1 cut it when compared to its ancestors?

Intrusive sibilants can ruin an otherwise good-sounding vocal track, and conventional de-essers are often of limited use. Can Eiosis's radical new design do any better?

The new Artist series brings Euphonix's innovative EuCon technology to the project studio market. Does the MC Mix put existing fader controllers in the shade?

We catch up with the latest instalments in the eagerly awaited 'Play' series of sample libraries.

Is this the ultimate recording solution for fans of the classic Fender tube sound?

Re-amping is an old technique that allows the producer to keep his or her options open in regard to electric guitar or bass sounds until the last minute.

Mackie have updated their popular control-surface system. We find out what's new.

What do you add to the DAW that has everything? In the case of Samplitude 10, a complex new mastering compressor and some excellent automation features are among the highlights.

With software samplers playing such a crucial role in many modern styles of music production, competition amongst the major players is hotter than ever. Does MOTU's redesigned MachFive 2 have what it takes?

Trafik are the electronica duo Andrew Archer and John Elliott, on the Global Underground label...

Satellite Pro may look like just another soft sampler, but it has a unique sample-library philosophy and a particularly attractive price tag...

Some people love the sound of SSL's modern consoles, while others prefer the 'dirt' of their older models. The VHD Pre aims to offer you the best of both worlds...

The latest iteration of Tannoy's Precision 8 includes an intriguing on-board DSP room-correction system.

The Studio Konnekt 48 is an appealing package, benefiting from extensive use of TC's trademark DSP technology and a remote control — but is that enough to secure its place in the audio interface race?

Will this young gun fire the imagination like the Telefunkens of old?

There's more to Prologue than its presets — and it doesn't take long to create some excellent and unique patches.

The debut single from Liverpool's Frankie Goes To Hollywood was the result of adventurous production and enjoyed massive chart success - as well as creating a great deal of controversy.

Understanding how to program SFZ files opens up lots of ways to better exploit what Sonar's bundled soft synths have to offer. Don't panic: it's easier than you might think...

The days are getting longer and Spring is definitely springing, but with so many exciting product announcements recently — including Digital Performer 6 — DP users might well feel like it's Christmas all over again.

Vista's now a year old — but is it loved or loathed by musicians?

Logic's Hyper Editor is a powerful way of creating and manipulating MIDI data, but it's often overlooked. We give you the low-down in this advanced workshop, and suggest some ways of using the Hyper Editor in your music.

We help a home recordist on a budget to add that elusive polish to his jazz-trio recordings.

Here are links to the audio files from APRIL 2008's MIX RESCUE article, for those readers who buy the magazine from the newsagent/bookstore and don't wish to type in all the long filenames.

Phase interactions are well known for their ability to destructively interfere with recorded signals, but an understanding of the process can turn it into one of the most powerful creative tools available to you.

Delving beneath the surface of Reason 4's new RPG8 arpeggiator reveals a treasure trove of rhythmic modulations and variations.

Aided by its memorable video and starring role in an iPod ad, Feist's '1234' has been a refreshingly different worldwide hit. Renaud Letang was behind the (vintage) desk during the recording and mixing sessions.

Reader Stu Evans has a smart studio but a lacklustre drum sound. Can the team breathe life into it?

The focus is on better project management in this month's Pro Tools workshop, as we explain the advantages of using template Sessions, and look at some tools that can help you avoid data loss.

Have you ever wondered why Power PC plug-ins can't run in Intel applications, or why your 32-bit plug-ins won't work in 64-bit applications of the future? Apple Notes explains all.

Referring to your article in Q&A from SOS January 2007, regarding a basic home recording setup, can you connect the Yamaha MG102C, which you suggest, to a PC directly? If so, how?

The crack team of Paul White and Hugh Robjohns have travelled the world solving readers' problems. Here, they put aside the Hob Nobs and answer some of your recording queries.

I've noticed a price disparity between the Native and Powercore plug-in offerings from Sonnox. Native versions (Audio Units in my case) are much cheaper than the Powercore versions, but do they differ in quality? If so, are these differences typical of the plug-in market at large?

I'm wondering whether I'd be better off with a pair of Sennheiser HD600 (or similar) headphones instead of some low-end monitors?

I'm seeing more and more new units for the API Lunchbox. Why is this, and what's so special about the format?

Replies from the editorial team to more of your valued feedback.

Paul White proffers more sage words...

More of your tracks get the aural objectivity test from the SOS crew. Sponsored by www.breed-media.co.uk

Working straight to DAT, with a minimum of equipment, Chris Denman records more bands in a year than most engineers manage in a lifetime.

Is landing a studio job a numbers game?

50 years ago this month, the most celebrated electronic music studio in the world was established. We trace the history of the Radiophonic Workshop, talking to the composers and technical staff who helped to create its unique body of work.